Course Descriptions
ART 102
History of Western Art I (3)
An overview of Western Art from 25,000 BC to about 1550 AD. Study of manÕs
made objects, paintings, sculpture, drawings, graphics, ceramics and some
architecture to reveal the relationships between these objects and the history
of civilizations. Slide lecture format. 3 Class Hours
ART 103
History of Western Art II (3)
Survey of the visual arts in Western culture from the late Renaissance until
the 1990s to reveal how art mirrors life and reflects its ideals. Special
emphasis on American painting and sculpture. Slide lecture format and field
trips. 3 Class Hours
ART 104
History of Asian Art (3)
History of Asian Art is appropriate for all students who are interested
in the cultural traditions and artistic expressions of Asian countries.
This course presents a general survey of the development of Asian Art and
Architectural forms in the Far East including India, Japan and China with
supplementary study of Korea, Tibet, Indonesia, Burma and Thailand. Cultural
traditions, especially Buddhism introduced. Prior experience in art history
is not necessary. The format involves slide lecture, readings and class
discussion.
ART 105
Introduction to Two-Dimensional Design (3)
Introduction to design involves
the student with investigation of visual perception and organization. The
student is expected to become more fully equipped to understand and work
with design concepts through heightened physical and sensory awareness,
experimentation with a variety of media and intellectual comprehension of
text, lecture and visual examples. Line, spacial illusion, texture, color
and form are explored. 2 Class Hours, 2 Studio Hours.
ART 106
Introduction to
Three-Dimensional Design (3)
Developing sensitivity and awareness of our spatial environment is the object
of this course. Aesthetic and functional elements of three-dimensional design
are explored. Through reading, projects, lectures and field trips, techniques
are explored to assist in heightening awareness. This enables the student
to understand the functional and aesthetic examples of the three-dimensional
environment. Emphasis is placed on studio projects. 2 Class Hours, 2 Studio
Hours.
ART 108
History of Western Architecture I (3)
Overview of 40 centuries of building,
beginning in Ancient Egypt. The student follows the political, technological,
religious and social movements that have influenced the major design styles,
outstanding architects and designer of each era until the end of the Renaissance
(1650s). Slide-lecture format with site visits. 3 Class Hours
ART 109
History of Western Architecture II (3)
Overview of the history of buildings
from the Baroque period (1650s) to the present. Students achieve an historical
perspective on and understanding of the development and evolution of architectural
design. Special emphasis is given to local buildings and their relationships
to national styles. 3 Class Hours
ART 110
Modern Art (3)
Art of the late 19th century. Impressionism (circa 1870) to Cubism and other
forms of abstract art. Panorama of 20th century visual movements including
Futurism, Surrealism, Abstract Expressionism, Pop Art, and Post-Modernism.
Slide/lecture format and field trips. 3 Class Hours
ART 111
History of Decorative Arts:
1600 - present (3)
Introduction to the development of style in fabric, furniture and accessories
for the interior from 1600 to the present. Emphasis will be placed on the
history of American interiors. Required for interior design students, recommended
for students in Art and Design and as an elective for students interested
in history or American Studies.
ART 112
Beginning Photography (3)
Basics of camera design and operation, plus the fundamentals of photographic
visualization and composition: line, form, color, light shadow. Darkroom
procedures, film processing, basic printmaking, selecting printing techniques.
(Students must have their own 35mm single lens reflex camera and should
expect to pay for their own photographic materials Ñ about $100+-.)
2 Class Hours, 2 Laboratory Hours.
ART 115
Beginning Drawing (3)
Intensive drawing instruction in charcoal, pencil, pen and ink, and mixed
media. Still-life composition, use of formal art elements and some figure
drawing. 6 Studio Hours
ART 116
Painting I (3)
Beginning painting instruction and practice of oil painting, still-life,
landscapes. 6 Studio Hours; Prerequisite: ART 115 Drawing or portfolio review.
ART 125
Introduction to Computer Graphics (3)
This course is an introduction to
computer graphics applications as a tool for designers and artists. Commercial
applications will be used and demonstrated. Students are expected to produce
original work that demonstrates the aesthetic elements of design in each
application. Students should be familiar with basic art terminology and
with computer keyboard and mouse. Previous art studio experience required.
Recommended: ART 105 or ART 115.
ART 130
Introduction to Ceramics (3)
Study of the basic processes of design and creation of clay forms, both
functional and sculptural. Techniques of handbuilding, throwing on the potterÕs
wheel, glazing and firing will be explored. Recommended: ART 106.
ART 140
Printmaking (3)
This three-part course will begin with an introduction to printmaking through
the methods of collograph and monotype printing. Then linecuts and woodcuts
will be developed, and there will be a concentration on the silkscreen process.
The third part will be an historical survey of printmaking and its techniques.
This will be accomplished through visits to local print collections. 6 Studio
Hours; Prerequisite: ART 115 or ART 105 or portfolio review.
ART 150
Perspective Drawing (3)
Graphic techniques developed for visual presentation of architectural, industrial
and aesthetic forms. Studio projects stress creation of the representational
image using perspective, color, texture and light. Applicable to advertising
and illustration of ideas and products. 2 Lecture Hours, 2 Lab Hours; Prerequisite:
CIV 159 Basic Drafting or ART 115, Drawing.
ART 202
Commercial Photographer (3)
Students will gain practical experience as to the theory behind and application
of commercial photography and illustration. Projects will be relative to
todayÕs marketing and societal needs. Lighting and composition will
be heavily stressed. Photographic format will be slide film. Prerequisite:
Art 112 or Art 212 or by portfolio acceptance by instructor. Lab cost to
student approx. $100 for supplies and processing. 2 Class Hours, 2 Lab Hours.
ART 212
Intermediate Photography (3)
Systems of precise exposure and processing control. Advanced black and white
darkroom techniques. Introduction to color theory, processes and printing.
Functional portfolio development. Introduction to digital electronic imaging.
(Students must have their own 35mm single lens reflex camera and should
expect to pay for their own photographic materials Ñ about $100+-.)
2 Class Hours, 2 Laboratory Hours; Prerequisite: ART 112 or by portfolio
acceptance and permission of instructor.
ART 215
Painting II (3)
Continuation of painting instruction and practice done in ART 116 Painting
I. 6 Studio Hours; Prerequisite: ART 116 Painting I or portfolio review.
ART 216
Painting III (3)
Continuation of ART II. Individual projects and experimental approaches
are emphasized.
ART 217
Advanced Drawing (3)
Advanced course presenting new media techniques and concepts; life drawing
emphasized. 6 Studio Hours; Prerequisite: ART 115 Drawing or portfolio review.
ART 226
Advanced Computer Imagery
Advanced computer Imagery will investigate various digital image applications that are used by designers both in Fine Art and Commercial Art arenas. The Art of typography, layout, and image alteration will be investigated, and applied to various Graphic Arts and Design mediums. Student's experiences in prior studio courses, introductory computer graphics courses, and art history courses will be utilized. A major focus will be on idea conception, and how designers develop an idea that communicates visually with an audience. This will be achieved by investigating various digital imagery specialties: Editorial, Corporate Design, Book Design, Music / Record Design, Information Design, Advertising, Environmental Design, New Media, Typography, and Motion Design. Furthermore, the realm of the business world in relation to the Graphic Arts industry will be reviewed. Students will see firsthand how it is possible to obtain freelance design work, or even employment at a large design firm, through the creation of a portfolio and the Internet.
Quark Express, Adobe PhotoShop 5.5, and Adobe Illustrator 9.0 are the three primary mediums students will learn how to use. Through these digital mediums students will develop a deeper understanding of digital imagery, and begin to develop a personal design aesthetic. Furthermore, we will explore the world of commercial Art, and learn how to create various press-press products, such as, multi-fold brochures, print media advertisements, package designs, magazine covers, billboards, book jackets, CD covers, signature booklets, stamps, postcards, product decals, etc.
Independent Study: Art (1-3)
ART 296 Printmaking
ART 297 Three-Dimensional Design
ART 298 Studio Art
ART 299 Art History
An individual student project concerned with advanced work in a specific
area of art. Conducted under the direction of a faculty member, independent
study is concerned with material beyond the scope and depth of the ordinary
course. Prerequisite: 3 semester hours of college level work in Art.
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